Despite looking colourful, this Andhra Mess ends up serving us fare that lacks spice.
Cast & Crew
Actor: Raj Bharath, Balaji Mohan, Pooja Devariya
Producer: Nirmal K Bala
Release Date: 22 Jun, 2018
Andhra Mess (2018) Tamil Review:
If a movie may be classified just by what it’s full of, a la judgement a eating house on the dishes on show, then Jai’s Andhra Mess can be referred to as a delicious mixture of comedy and unconventional action. There’s a pleasant piece of absurdist music too soon, set to the title credits and surreal imaging within the style of obscure paintings. There’s a riotous interview scene involving the choice of moral (yeah, you scan that right!) henchmen. there’s a running gag a few character referred to as Ritchie WHO farts his answer of the foremost ridiculous of circumstances.
The don’s in-house assistant/advisor could be a hard-of-hearing Brahmin ‘thaatha’, WHO uses a conveyable serial printer to barter ransoms. there’s associate impromptu game with associate egg, which just about escalates into a crazy break-up. there’s a wisdom-spouting zamindar, whose bucket-list is completed and dusted, apart from a final face-off with a tiger(!). Random punning (ranging from terrific rib-ticklers to ones like “Gun kuduthiye, bread kuduthiya?”) get frequently thrown around by characters, WHO appear to be competitory in a very who-can-hold-their-poker-face-the-longest contest.
A random feminine character is introduced simply to deliver the road, “Owning a gun endows higher security than marrying a person.” each action set-piece is sort of obligatorily set to junked-up versions of previous Tamil classics. And to prime it all, there’s the fourth-wall breaking narration – flooded in (non-) existential philosophy – that the director keeps breaking into. Nothing is new, however it’s all quite unorthodox.
However, the film, that is concerning four gangsters on the run, simply doesn’t close. For one, it tries too exhausting to be unconventional, and therein endeavour, finishes up losing out on its soul, the conflict. additional significantly, the writing appears non-existent, because the proceedings typically come upon as a random musical composition of scenes strewn along. So, why don’t these apparently attention-grabbing bits and items add up? With our restricted expertise with black comedies, it’s safe to deduce that ‘quirk’ in these films acts as a ambiguous arm. whereas it’s nice for seasoning, Andhra Mess is what you get, if it’s the most, or only, ingredient.
It is as if the director came up with one or two of concepts, and felt compelled to attach these bits through a ‘script’ — that even at xciii minutes looks like a problem. a number of the scenes sound nice on paper. however square measure|they’re} staged therefore poorly that we tend to are forever unbroken at associate arm’s length. With the villains reduced to buffoons too soon, nobody is in any real danger at any time. And although they were, we tend to wouldn’t have cared.